Black Kaaba Miniature Faux Silk Tableau Rug · Minyatur · 2027

A window onto the Holy Mosque

Some rugs are made for the floor. This one is made for the most honoured wall in the house — the wall that faces you when you come home, the wall above the place where the family prays, the wall a guest sees first and remembers.

At its heart is the Kaaba, the House of Allah in Makkah, the qibla toward which every Muslim turns five times a day. Around it, the words of the Quran run as a woven border, so the picture is held inside the Word — exactly as it was in the finest Ottoman pieces this tableau descends from.

The gift for the people who raised you

Think of the first thing you ever learned about Makkah. For most of us, it came from a mother's voice or a father's hand guiding ours toward the qibla. Many of our parents have spent a lifetime longing for the Kaaba — some have stood before it, and some are still waiting for the day they can.

This is a gift that answers that longing. Hung in their home, it greets them every morning and every time they rise for prayer. It is not a gift that is used up, worn out or put away in a drawer. It stays on the wall for decades, and one day it passes to their children and grandchildren, carrying the memory of who gave it and why.

In Islam, honouring one's parents is placed beside worship itself. There are few gifts that join the two so completely.

• For your mother and father — the gift that says what words rarely manage to.
• For a return from Hajj or Umrah — the House they stood before, brought home to their wall.
• For Ramadan and Eid — a gift with meaning, not just a price.
• For a new Muslim home — the first piece to hang, so the house begins with remembrance of Allah.
• For a nikah — a blessing for the home a new couple is building together.

A tradition nearly four centuries old

Long before photography, the only way most Muslims could see the Holy Mosque was through a picture made by an artist. In seventeenth-century Ottoman Türkiye, the great workshops of İznik painted the Masjid al-Haram onto glazed tiles: the Kaaba at the centre, the colonnades around it, the minarets at the edges, all drawn from above in the flat, precise style of the miniature painters. Many of those tiles carry the verses of Sūrat Āl ʿImrān (3:96–97) — the first House established for mankind, and the call to pilgrimage.

They were hung near the qibla wall of mosques and in homes, as a reminder for those who longed to make Hajj and a keepsake for those who had returned. Examples survive today in the Aga Khan Museum, the Walters Art Museum and the Victoria & Albert Museum. This tableau carries the same idea forward — the miniature drawing, the calligraphic frame, the Kaaba at the centre — in woven form, for the walls of a modern home.

The feel of it

The pile is viscose, spun fine and cut short so it lies flat like a painted surface, with the cool, liquid hand people reach out to touch. What the camera never quite catches is the way it moves with the light. Stand to one side and the black ground reads as deep ink; step across the room and it lifts to a soft, silken sheen, and the drawing comes forward. In lamplight after Maghrib it glows. In the morning it settles and becomes quiet. It is one piece that reads as two.

Why this one

• The Ottoman miniature tradition. A finely drawn, bird's-eye composition in the spirit of the İznik Mecca tiles — detailed enough to reward standing close, strong enough to hold a room from across it.
• Framed in the words of the Quran. Calligraphy woven into the design itself, not printed on.
• Woven, not printed. Many Kaaba wall hangings are a picture printed onto fabric. This one is woven on a loom, thread by thread, with real depth and pile.
• A silk-touch sheen. Viscose pile for a lustre that shifts with the light.
• Hand-tied fringe. Each fringe is knotted by hand, one of the last steps before the piece leaves the workshop.
• Sized for a wall. 3.3 × 4.9 ft (100 × 150 cm) — large enough to anchor a living room, a majlis or a prayer corner; at home above a sofa, console or bed.

How it is made

It is woven in Türkiye on a fine loom under digital colour control, which is how a drawing this detailed — and calligraphy this exact — holds its lines across the whole field. Off the loom it is washed, sheared to a level pile and finished by hand: the fringe tied knot by knot, the piece inspected front and back. The last step before it is rolled is a person standing in front of it, looking.

So you know exactly what you are buying: this is a new, machine-woven tableau with a viscose pile and hand-tied fringe. It is made in the antique Ottoman style, but it is not an antique and it is not hand-knotted. We say so plainly, because the difference matters.

Hanging it with honour

Because it carries the words of the Quran, many families hang it high — at or above eye level — in a clean, dignified room, and never on the floor or in a bathroom or kitchen.

• Hang it, don't walk on it. Use a hanging sleeve sewn to the back, a curtain rod with rug clips, or have it framed.
• Keep it out of direct sun. Strong, constant sunlight will soften the black over time.
• Dust gently. A soft brush, or a vacuum on low suction with a brush head, in the direction of the pile.
• Keep water away. Viscose does not forgive water — it can mark, yellow or flatten the sheen permanently. Never soak, steam or wet-clean at home.
• Use a professional for anything more, and tell them the fibre is viscose before they start.
• Store it rolled, never folded, pile side out, wrapped in breathable cotton.

We sell rugs; we do not wash, repair or re-fringe them, and we do not send them out on your behalf.

Size: 3.3 × 4.9 ft (100 × 150 cm) · Pile: 100% viscose · Made in: Türkiye · Construction: machine-woven, hand-tied fringe · Design: KABEKA · Colour: black · Use: wall hanging / tableau

هر قطعه با دقت بالا و با شانه‌های پرتراکم ممتاز به‌صورت ماشینی بافته می‌شود تا نقش‌ها تیز و واضح باشند و کیفیت در سراسر فرش یکنواخت بماند. لبه‌هایی که با دست تکمیل می‌شوند، حس و حال ممتازی به آن می‌دهند که مجموعه ما را متمایز می‌کند.

طرح‌ها از سنت بافت پرشین، ترکی و افغانی الهام گرفته‌اند — برای جزئیات دقیق جنس و ساخت این محصول، بخش مشخصات را ببینید.

فرش باید از هر طرف ۴۵ تا ۶۰ سانتی‌متر از مبل بیرون بزند. اگر بین دو اندازه مانده‌اید، بزرگ‌تر را بردارید — فرش کوچک‌تر از اندازه رایج‌ترین اشتباهی است که می‌بینیم.

• هفته‌ای یک بار جاروبرقی بکشید و برس چرخان را خاموش کنید تا پرز آسیب نبیند
• ریختگی را فوراً با پارچهٔ سفید تمیز لکه‌گیری کنید (نمالید)
• هر ۶ ماه فرش را ۱۸۰ درجه بچرخانید تا یکنواخت ساییده شود
• هر ۱۸ تا ۲۴ ماه شست‌وشوی حرفه‌ای
• زیرفرشی لازم نیست؛ پشت نخی و وزن فرش آن را صاف و ثابت نگه می‌دارد. اگر فرش کوچکی جابه‌جا شد، از چسب‌های ضدلغزش یا نگهدارندهٔ گوشه استفاده کنید

ارسال رایگان برای سفارش‌های ۱۱۰ دالر و بیشتر در سراسر امریکا و کانادا، و کمتر از آن هزینهٔ ثابت ۲۰ دالر. بیشتر سفارش‌ها ظرف ۳ تا ۵ روز کاری می‌رسند. مشتریان کانادا: ممکن است هنگام تحویل عوارض گمرکی یا مالیات استانی دریافت شود.

بازگشت ۳۰ روزه برای سفارش‌های آنلاین — کالا باید استفاده‌نشده، سالم و در بسته‌بندی اصلی باشد. هزینهٔ ارسال برگشت با مشتری است. بازپرداخت‌های تأییدشده ظرف ۳ تا ۷ روز کاری انجام می‌شود.

این محصول را از نزدیک در نمایشگاه ما در سکرامنتو ببینید — هر روز باز است، ۱۰ صبح – ۷ عصر. دیدن رنگ و پرز از نزدیک بهترین راه برای انتخاب بین بافت‌های ماست.

Stylish Rugs & Carpets
⁦3423 Watt Ave⁩nue, سکرامنتو, CA 95821
(916) 890-4077 · info@stylishrugs.us

برنامهٔ بازدید از نمایشگاه ←